Mikro (or Mikró) were formed in 1997 in Thessaloniki by Nikos Bitzenis [a.k.a. Nikonn] (vocals, synths, programming) and Giannis Lefkaditis (guitar, bass, sax, synths).
The two friends shared a common vision for an electronic band with influences from pop, rock, and more alternative sounds. Mikro’s sound is “multiform” and blends elements of electronica, synthpop, big beat, dance, breakbeat, drum’n’bass, easy listening, pop, disco, and rock, combining both male and female vocals.
The current lineup of the band, in addition to Nikos and Giannis, includes Chloe Ann (vocals/keyboards), Apostolos Bitzenis (synthesizers), and Christos Aslanidis (synth/drumpads).
So, 20 years after the release of “Afti i poli,” (This city) are we dancing more or less?
I think we’ve started dancing again! In the ’90s, there was a strong desire for dancing and partying. After 2000, it gradually faded, and people slowly stopped dancing.
However, after the coronavirus and the lockdowns, people began to see life differently, and the desire to dance returned. We are once again in a time when people want to have fun and dance, despite the dystopia we’re living in. It may be a reflex to help us survive the madness of the times.
Their song “Afti i poli”(This City) almost 20 years after its release, is still played in clubs and on the radio, having become an anthem for fun and dancing.
What happened during the 10 years that Mikro were away from the music scene?
These past 10 years were a time spent recharging our batteries, clearing our minds, and preparing for a fresh restart with renewed enthusiasm for new music and concerts. We needed to step away for a while to miss it and be missed. We worked on other things, other projects, and when the time came, we said, ‘Let’s go again!’
After a 10-year hiatus (2014-2024), Mikro have made a strong comeback, with new music releases and live performances, including appearances at major festivals.
How challenging was it to create electronic music in Greece in the 2000s?
Electronic music in Greece was a difficult endeavor. We are a country that viewed musicians with synthesizers and buttons with suspicion, especially when we were straddling the line between pop and alternative. Of course, this changed slowly and painfully.
Now, an electronic band can have the same recognition and significance as a rock band or a singer-songwriter. People have moved past the barriers that once dominated.
What advice would you give to an artist starting out now?
The most important advice, in my opinion, is to stay as independent as possible, avoiding bad contracts with record labels that can no longer offer much, and if they do, it will come at a high price. Another crucial point is to do what they love, not what the trends or the world dictate.